Broadway star Alexandra Billings blasts West End producer for comments about trans casting

A side by side image of trans actor and Broadway star Alexandra Billings and British theatre producer Cameron Mackintosh

Trans actor and Broadway star Alexandra Billings has slammed a West End producer’s comments opposing the casting of trans performers in certain roles.

In an interview with The Telegraph published earlier this month, Cameron Mackintosh said he wouldnā€™t be in favour of casting a trans actor in the lead role of his Mary Poppins musical because the story is ā€œnot about that, that was not the story of that familyā€.

When asked about casting trans performers, Mackintosh claimed ā€œyou canā€™t implant something that is not inherently there in the story or characterā€. Otherwise, he claimed it just ā€œbecomes gimmick castingā€ because itā€™s ā€œtrying to force something that isnā€™t naturalā€.

Alexandra Billings ā€“ who made history last year as the first openly trans actor to star as Madame Morrible in Wicked ā€“ absolutely destroyed Mackintosh’s argument. In a post on Instagram addressed to ā€œSir Cameronā€, Billings gave Mackintosh a step-by-step masterclass in why his comments were absolutely incorrect.

ā€œI am trans and began my transition in 1980, when it was illegal to do so,ā€ she wrote. ā€œI am now a very small part of a very powerful moment, every time I set foot in the land of Oz.ā€

She denounced the suggestion that trans actors only be cast in roles and productions explicitly written about trans issues, saying she is an actor first and foremost.

ā€œI am Mame and I am Madame Rose. I am Miss Hannigan and I am Annie Oakley and I am Fantine,ā€ she explained.

The Transparent star shared that she embodies these stories because ā€œI am part of the human fabricā€ and that ā€œno one has the right to take any [of] this away from meā€ ā€“ including Mackintosh, who she said ā€œlabels meā€.

ā€œI am an actor, Mr Mackintosh, not a gimmick,ā€ Alexandra Billings added. ā€œAnd just so weā€™re clear; you donā€™t have to make room for me.ā€

She continued: ā€œI take up my own space and that was given to me by a power much greater and far more powerful than you.

ā€œSuggesting there needs to be more roles and more plays for transgender artists, doesnā€™t make you a revolutionary. It makes you human. It is simple common sense.

ā€œWe will create that space with or without your consent.ā€

She also urged Mackintosh to remember that trans people have been in theatre for as long as the institution has existed. Billings said the only thing that has changed is ā€œnow we are becoming visibleā€.

ā€œInstead of proclaiming all the things that cannot be done, how about filling the music of the universe with things that can be done,ā€ Alexandra Billings wrote.

ā€œWhat is possible is always divinely blessed. See us. Honor us. And hopefully, you will discover your own story in a newness you never knew existed.ā€

Social media erupted after Mackintoshā€™s interview was published, decrying the notion that casting trans and gender non-confirming performers is a ā€œgimmickā€.

In the wake of such backlash, Mackintosh posted a statement on Twitter, clarifying that his response to the question about ā€œmaking the character of Mary Poppins (not the actor playing the roleā€ and transgender womanā€.

ā€œUnfortunately, my answer has been misinterpreted to suggest that I am opposed to casting a transgender performer to play the role,ā€ he said in the statement.

He continued: ā€œThis is absolutely not true. I meant only that I would not as a producer disregard the author P.L. Traversā€™ original intention for the character.ā€

Mackintosh then said he was ā€œsorry for any distress caused by my remarks being misrepresentedā€ and shared that trans actors are welcome to audition his productions.