Gamers reflect on The Last of Us giving Bill and Frank the love story they deserve: ‘I was emotional for hours’

Image of Bill and Frank in The Last of Us

For less perceptive gamers, the staggering love story between Bill (Nick Offerman) and Frank (Murray Bartlett) during episode three of HBOā€™s The Last of Us came as a bit of a shock.

The 80-minute instalment of the post apocalyptic saga was a deviation from how the pair are portrayed in the 2013 game of the same name, where Frankā€™s character is never properly introduced, and their romance is characterised by a few blink-and-youā€™ll-miss-it moments. 

But for many queer gamers, that barely-there relationship mattered. 

ā€œGames have come a long way since 2013, but it was nice to have that small amount of representation, that glimmer of representation,ā€ says Matt Hardwick, the co-founder of queer gaming group London Gaymers.

Hardwick, 35, purchased The Last of Us on the day it was released, and picked up on Bill and Frankā€™s relationship ā€œstraight awayā€. While that sliver of representation mattered to him personally, heā€™s also heard stories of gay men entering the gaming industry because of it, as they had seen themselves represented in a game for the first time.

Ten years later, and that subtle relationship has blossomed into a queer romance epic for the ages, with fans and critics already hailing it one of the TV moments of the decade. Seeing Bill and Frankā€™s evolution is, for many LGBTQ+ gamers, special.

ā€œI was quite emotional for a good couple of hours after watching it,ā€ Hardwick says, stating that the ā€œgroundbreakingā€ TV iteration of Bill and Frankā€™s story was better than the gameā€™s portrayal ā€œin every way possibleā€.

The Last of Us
Nick Offerman as Bill and Murray Bartlett as Frank in The Last Of Us (HBO)

ā€œA lot of representation in television and games, it’s always very tropey, there’s always a lot of trauma,ā€ he says. ā€œItā€™s not to say [Bill and Frank] werenā€™t going through trauma, because you knowā€¦ itā€™s the apocalypse. But it wasnā€™t about getting gay-bashed, it wasnā€™t about AIDS, it wasn’t about an awful coming out story.

ā€œIt was nice to have something that was just about two people that were in love, rather than this story about queer trauma,ā€ he adds.

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Jon Franklin, a 36-year-old social media manager, agrees that The Last of Us as a game was seminal in its portrayal of queer characters.

In The Last of Us II, players see main character Ellie come out as LGBTQ+, and Jon thinks itā€™s ā€œone of the first major games that really addresses the struggleā€.

ā€œThat’s what makes it unique,ā€ he says. ā€œYou don’t really get that in many other games.ā€

However, Jon thinks that Bill and Frank’s relationship in the game fell foul to the ā€œBert and Ernieā€ effect, whereby anyone who wants to ignore their queerness can do, because itā€™s only alluded to. Heā€™s pleased to see that with the TV series, that ambiguity is blown apart.

ā€œI thought it was great to see,ā€ he says. ā€œIt was a great representation of, actually quite a healthy relationship, all things considered. It was a very typical relationship.ā€

Despite the worldā€™s end raging in the background, Bill and Frank still manage to fight over how their garden looks, tend to an allotment, and enjoy dinner and wine out in the sun.

ā€œThe relationship between Bill and Frank felt real and relatable and I was so pleased with the angle they chose [in the series],ā€ says Matt Mather, 28, who started playing The Last of Us a few years back. 

In the game, Frank is only seen after he has taken his life, and he does so to escape Billā€™s unbearable paranoia. The final moments of episode three of the TV series however, tinged with golden hour sun and set to one of historyā€™s most emotive pieces of music, Max Richterā€™s ā€œOn the Nature of Daylightā€, are a marked departure from the gameā€™s portrayal.

ā€œAs Bill said at the end of the episode, this wasn’t a tragedy,ā€ Mather adds. ā€œThey had a happy ending. I feel like LGBTQ+ characters are so often killed off for shock value or they have these really tragic ends to their stories. While Bill and Frank’s ending was undeniably sad, it was happy too.ā€

In addition to showcasing an ordinary relationship in entirely extraordinary circumstances, queer gamers are particularly praising HBOā€™s portrayal of queer elders in love.

ā€œIt was nice to see that they were just normal people, a little bit older as well,ā€ says James, a 37-year-old HR professional and member of queer gaming group Gaymers iNC

The Last of Us
Bill (Nick Offerman) and Frank (Murray Bartlett) in The Last of Us. (HBO)

ā€œA lot of our shows represent everybody as supermodels at the moment. It was nice to see a few more real people having fulfilling relationships, James adds. ā€œThey’re represented exactly the same way you would represent a heterosexual relationship.ā€

This is true, but the fact that Bill and Frank are gay remains a critical point for queer gamers. Many corners of the gaming community are still worryingly homophobic; following its premiere, episode three of The Last of Us was review-bombed by bigoted gamers intent on disavowing the series for ā€œgoing wokeā€.

Meanwhile, nine in ten openly queer gamers have experienced abuse or harassment, according to one study

Sam, an ambassador for the LGBTQ+ young people’s charity Just Like Us, has witnessed this homophobia first-hand, and feels that there is a general ā€œnegative attitudeā€ towards LGBTQ+ people in the gaming world.

ā€œUsually when a queer character is announced, youā€™ll see people complaining that itā€™s only done to ā€˜be wokeā€™ or ‘push a political agenda’,ā€ he says. 

Itā€™s upsetting, of course, but Sam thinks that tides could be changing.

ā€œI think that LGBTQ+ representation in video games has certainly come a long way since the ā€˜80s and ā€˜90s. The queer community appear as fully fleshed out characters and not just as villains or the usual negative stereotypes,ā€ Sam says, adding that The Last of Us game was one of the first to champion LGBTQ+ characters.

ā€œIā€™d love to see more video game protagonists representing the length and breadth of the LGBTQ+ community, and I feel like the popularity of The Last of Us show will help.

ā€œThe Last of Us sends the message that itā€™s 2023 and LGBTQ+ people are everywhere,ā€ he adds.

ā€œYouā€™ll see us appear in your favourite franchises, often with leading roles. Us simply existing isnā€™t a political statement. Itā€™s simply who we are.ā€

The Last of Us continues Sunday on HBO in the US (9pm ET) and on Monday in the UK (2am/9pm GMT) via Sky Atlantic and NOW TV. 

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